News Source: Times of India
NAGPUR: "If a quarter million farmers kill themselves over a span of 16 years, then it is genocide and not suicide. The globalization of economies has given rise to a new form of agrarian warfare where seeds are the new weapons." This observation formed the basis of the documentary 'Cotton For My Shroud' made by Nandan Saxena and his wife Kavita Bahl.
The 90 minute film, shot in the hinterlands of Vidarbha, which have earned the infamous sobriquet of farmer's graveyard, has won a Rajat Kamal for the best investigative film at the 59th National awards announced in New Delhi on Wednesday. The film has been winning accolades since it was first released at Mumbai Film Festival in April last year, and has also received the Gold for best script at the IDPA in Mumbai in October 2011.
In a telephonic chat with TOI from New Delhi, Saxena says that he has been screening the docu-film at various forums and people have been stunned by its content. "The film is meant for both, victims as well as those who can change this dismal scenario. It is easy to blame the simple farmer for not managing his resources." "The cotton farmer is torn between aggressive marketing of supposedly 'better varieties' of transgenic crops by the state, and his traditional wisdom of low-cost and eco-friendly agriculture. He thus falls prey to the honey trap of Bt. The result is in an unending cycle of debt and misery."
Narrated in the first person, the film looks at the macro picture while following the lives of three families. Saxena says that he learnt about the plight of the farmers in Vidarbha while researching water linked projects they were handling in Rajasthan. "It was so horrible that we began looking for more information. When we called up Kishor Tiwari, president of Vidarbha Jan Andolan Samiti, which has been drawing attention to these tragedies, he told us to check it out first hand. My wife and me arrived and began moving around in Yavatmal, Raipodh, Pandharkawda and Kolijhari, which were worst hit by these tragedies." It was not easy for the couple to win the confidence of farmers. Saxena says that the families of victims were weary of media spotlight.
"We came without booking our return tickets.We had all the time and were willing to wait. Gradually, they began to open up," he says. The research and first hand conversations helped them put together a narrative.
"There were two triggers for the suicides. The first at the time of sowing, when the cash strapped farmer is pushed to buy seeds he can ill afford, so he takes credit. The next is at the time of harvest, when he arrives in the market and realizes that he will not get the price that will enable him to repay the loan. That's when the desolate fellow has no option but to consume pesticide." Saxena,who admits to leftist leanings, says that once they had put together the film it was difficult to edit it, as they had to relive these heart wrenching stories once again. "But we overcame our emotions and released it in 2011." Awards aside, the duo feels that true recognition would be when farmers stop taking their lives and sustainable agriculture becomes a policy.
NAGPUR: "If a quarter million farmers kill themselves over a span of 16 years, then it is genocide and not suicide. The globalization of economies has given rise to a new form of agrarian warfare where seeds are the new weapons." This observation formed the basis of the documentary 'Cotton For My Shroud' made by Nandan Saxena and his wife Kavita Bahl.
The 90 minute film, shot in the hinterlands of Vidarbha, which have earned the infamous sobriquet of farmer's graveyard, has won a Rajat Kamal for the best investigative film at the 59th National awards announced in New Delhi on Wednesday. The film has been winning accolades since it was first released at Mumbai Film Festival in April last year, and has also received the Gold for best script at the IDPA in Mumbai in October 2011.
In a telephonic chat with TOI from New Delhi, Saxena says that he has been screening the docu-film at various forums and people have been stunned by its content. "The film is meant for both, victims as well as those who can change this dismal scenario. It is easy to blame the simple farmer for not managing his resources." "The cotton farmer is torn between aggressive marketing of supposedly 'better varieties' of transgenic crops by the state, and his traditional wisdom of low-cost and eco-friendly agriculture. He thus falls prey to the honey trap of Bt. The result is in an unending cycle of debt and misery."
Narrated in the first person, the film looks at the macro picture while following the lives of three families. Saxena says that he learnt about the plight of the farmers in Vidarbha while researching water linked projects they were handling in Rajasthan. "It was so horrible that we began looking for more information. When we called up Kishor Tiwari, president of Vidarbha Jan Andolan Samiti, which has been drawing attention to these tragedies, he told us to check it out first hand. My wife and me arrived and began moving around in Yavatmal, Raipodh, Pandharkawda and Kolijhari, which were worst hit by these tragedies." It was not easy for the couple to win the confidence of farmers. Saxena says that the families of victims were weary of media spotlight.
"We came without booking our return tickets.We had all the time and were willing to wait. Gradually, they began to open up," he says. The research and first hand conversations helped them put together a narrative."There were two triggers for the suicides. The first at the time of sowing, when the cash strapped farmer is pushed to buy seeds he can ill afford, so he takes credit. The next is at the time of harvest, when he arrives in the market and realizes that he will not get the price that will enable him to repay the loan. That's when the desolate fellow has no option but to consume pesticide." Saxena,who admits to leftist leanings, says that once they had put together the film it was difficult to edit it, as they had to relive these heart wrenching stories once again. "But we overcame our emotions and released it in 2011." Awards aside, the duo feels that true recognition would be when farmers stop taking their lives and sustainable agriculture becomes a policy.
